Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts
Monday, March 11, 2013
FRESCO VS FRESGO
FRESCO
vs
FRESGO
Front of Fresgo Box
The master painters of the Renaissance took the art of the fresco to a level of perfection that may never be surpassed. During that era, large walls in cathedrals and other buildings served as the canvases for frescoes – and they still do. Michelangelo' s painting on the ceiling of Rome’s Sistine chapel is perhaps the best known example of this type of work. A fresco is actually a painting that has not been painted on a wall, but into it. The painting is finished while the plaster is still wet, a technique that is called “l'ora del santo” or “the hour of the saint.” Therefore the painting and the wall become one. Because a fresco is part of the wall on which it is painted, it is subject to all the environmental factors that cause walls to deteriorate with the passage of time. This is one of the features of frescoes that make them so unique and special. The cracks, crevices and other signs of wear that occur within the fresco reflect the hardships the environment has imposed on the work – much as our own exteriors provide a living testament to the hardships and struggles of our lives. I am proud of each wrinkle on my face. They are the result of what I have given and endured throughout my life: I have earned them.
Notice the Heavy Texture and Metal Watch Part
As you may have guessed by now, I have created frescoes of my own during my life in art. For some, I have used the technique of masters like Botticelli, Giotto and Masaccio – “buon fresco.” In buon fresco (good or true fresco), the paints are mixed with lime water, and the plaster is painted while it is still wet. I find this difficult to do well since I am forced to work a lot faster than I would otherwise. To overcome this problem, I have sometimes created my work using “secco fresco.” This is a modification of the fresco technique in which dried plaster is dampened to simulate fresh, wet plaster before it is painted. Although creating frescoes a secco is easier than the classic technique, it is also a bit less durable. Since most of us do not live in one place long enough to own a fresco and watch it age, it occurred to me several years ago that it might be nice to make frescoes portable. I decided to create frescoes that could be transported to any new surrounding. Using the secco fresco technique, I began creating smaller frescoes I call “fresgos” – my term for “frescoes to go.”
View of Entire Box
I have created a fresgo box that is 8” w x 8 “ and 4” high. I have priced her at $145.00 and named her “Timekeeper.”I finished the inside with a simple upholstery material. I just placed her on Etsy where you can view a bit better and purchase if you like her or contact me directly at my e-mail.
Inside of Box
I studied 'buon fresco' in Serravalle Italy at Palazzo Galletti with the renowned Alma Ortalon. If any of you are interested in taking a class from her just click here for a link to her website. I am sure you will love Alma and the experience.
Friday, February 3, 2012
INSPIRED BY MEXICO
INSPIRED BY MEXICO

Mayan Journal Page
My Mexican trip this year was uneventful except for the fact that it is the third year in a row that I was unable to get out of the Roanoke airport. First year it was the snow, second the wind and this year it was the fog that forced me to drive to an International Airport two hours away. It's a lot of work these days to have fun, especially with airline travel being what it is. I might add, it's worth it in the end.
I stayed at a hotel in the Maya Riviera area. This year, the year 2012 end of days year, according to the Mayan calendar, found Mexican vendors selling all sorts of end times souvenirs including 2012 chocolate candy and calendars galore. I personally don’t believe our world will end on December 21, 2012, even though I agree that things are quite a mess right now on our planet. I am hoping that mankind wakes up and sees what a glorious place in which we live. At this time we have plenty of water, clear skies, golden soil and bounteous countryside. It may not always be this way. Overpopulation, over warming and over indulgence threatens us all.

Frida Journal Page
It seemed appropriate that since I’ve started journaling this year, I should present my Mayan journal page and another one of Frida. For the first one, I printed one of my original faces on organza cloth, which can be purchased as 8x11" printing sheets, and placed it over the top of a Mayan picture I had taken years ago.
On the Frida journal page, I used a close-up copy of my original painting of Frida,which can be seen here. I did nothing else to it except destroy it with my atrocious handwriting..LOL…Anyway, I’m off to a good start with journaling this year and find it to be very addictive.
Labels:
collage,
Journals,
Mexico,
oil painting,
painting
Wednesday, January 4, 2012
WHEN THE CREATIVE SPIRIT HITS
WHEN THE CREATIVE SPIRIT HITS

Journal Page Number 1
Remember the old journals that they used to sell years ago-long before memory making journals were even thought of? Well, I made a new years resolution that after seeing so many creative journals in blogland, that I wanted to finally start my own.

Journal Page Number 2
Unfortunately, it was the New Year’s holiday and no stores were open for me to go out and purchase a spiffy journal album. Actually, I really didn’t want to buy one anyway in case I messed up. Since the creative spirit or muse hit, I knew I had to improvise. I dug through my old pictures that I keep meaning to get sorted and found several ugly old journals that must be 40 years old! They are one of a kind now since I don’t think anyone is making these outdated beauties anymore.
Old Album I found In My Studio
Here are 2 that I have finished. Oh how I wish I had good penmanship! I’ve tried writing and printing on some of my artwork before and it is unreadable! I have even taken courses in calligraphy to no avail. I was thinking of trying to write in Italian or French which would be fun but I can’t do that either. I’m taking an Italian course right now so maybe next year but for now, my scribbles will have to do.
Close-up
My method for these two pages was this. On page number 1, I used a digital print of one of my original paintings and painted the background with acrylic so that it can be written on. Then, I cut out pictures from magazines and attached along with a very ancient looking key I had in studio. I painted over her hair with purple acrylic and then added a coat of sparkle translucent paint over the background making sure I didn't completely hide the musical notes and finally added Dorland's wax medium for a refined look and for protection. I love this wax.
For page number 2, I used magazine images and rubbed Never-Dull Wadding Polish to meld the images to my liking. Then I applied crackle glaze to the face and finished it off with more of the Dorland's wax.
Another Close-Up of Crackle Technique
I haven’t written on either of the pages yet (still procrastinating) so if anyone would like to make a copy of them to use in your own journaling, please feel free.
Labels:
collage,
inspiration,
Journals,
painting,
tutorial
Saturday, December 31, 2011
TAKING FLIGHT TO THE WORLD OF ART
TAKING FLIGHT TO THE WORLD OF ART

Bruce's Paintings of Old Auto's Lost To The World Of Rust
What is retirement? To some, it is time for relaxation and travel. For others, and I’m speaking about my friend Bruce Hauser, it is time for exploring the world of art. Of course travel will be a part of that journey. After all, what better place is there to gain inspiration than old worlds such as Italy and France?

Dr. Bruce Hauser and Sister (on the right)
Last night at Bruce’s retirement party, I gained a new respect for this doctor who spent decades giving his time and experience to our community. I realized after talking to his family and friends and seeing the art that generously covered the walls of he and his wife, Gwen’s, home, that this certainly will not be a boring retirement. I really should not have been surprised since Bruce had taken a stained glass class from me many years ago, before I started sculpting, and I did see an artistic side of him at that time.


Much to my surprise, I also found out that Gwen is quite an artist as well. Bruce enjoys painting decrepit autos that have been abandoned from days of yore while Gwen prefers painting, in direct contrast to Bruce, spirited women who appear to be in motion and having a good time right on the canvas in front of you.

Chanticleer Catering
One of the many highlights of the evening was the food. Of course the food would impress me since I love to cook. I don’t think I could have produced the tasty morsels that the Chanticleer Catering service provided. The word Chanticleer translates to le coq or rooster. I’m not sure why they named their establishment that but it certainly is a name I will remember for my next large gathering.

I think it is important for those who are about to embark on the journey to retirement, that there are many avenues to explore and a new world certainly awaits you. As for me, well, I don’t think an artist ever really retires. Our lives are dedicated to the world of art and we have no choice but to produce.

Daughter, Juliana and Husband

Daughter, Gail

Juliana's Renewed Burning Bowl That I Created For Her Many Years Ago

Granddaughters

Gwen On The Left

Joan Petrus on the Right

More Partygoers
Happy New Year to everyone and may your journey in 2012 be an artful one!
Monday, September 12, 2011
FRIDA JOURNALS AND SKETCHBOOKS
FRIDA JOURNALS AND SKETCHBOOKS

Crackled wax effect on number 2 Frida
Here I go again with my Frida obsessions. I spent so much time on the face for the painting I worked on a few months ago, that I am trying to utilize that time by using the digitals for various artwork that I normally create. This time around, I’ve chosen the “Gypsy Woman” series. Frida may not have been a gypsy but she had the heart and soul of one. She loved to dress in the native Mexican garb and wore flowers and jewelry that depicted her country.

All three Frida journals
I ran a digital image of Frida. I used all sorts of yarn and ribbons to embellish the spine and I placed some of the flowers I dried from my garden onto the front with encaustic wax, which I then painted.

Frida journal number 1

Close-up of wax finish

Inside back journal number 1
For the second journal, I did much the same with a few variations like crackling the face. The third one is an image from my “Music is my refuge” collage. I think she also looks Frida-ish.

Crackled wax effect on journal number 2

"Music is my Refuge" journal
Hope you like them. They are for sale. If I don’t sell them here at my blog, I plan to take them to the Farmer’s Market where I sell each Saturday. Hopefully these journals will appeal to someone who likes the textural feel of the cloth and wax.
Journal number 1 is 5x7” and priced at $46. Number 2 is also $46 and number 3 is $42. Please e-mail me if you are interested and we can go from there. I take all major credit cards, checks or Paypal.
Thanks so much! Hugs XX00
Cheryl
Cheryl
Labels:
encaustic wax,
Journals,
oil painting,
painting
Wednesday, August 24, 2011
CREATIVE ENERGY
CREATIVE ENERGY

Goddess of Winter Solstice
Last spring, I completely sold out of my Goddess planters. For some reason, people were more excited about them than in previous years. A few customers asked if I would create some for Christmas and I bulked at the idea. My thought was that they would not make good Christmas gifts because people aren’t thinking plants at that time. Not to be discouraged, one of my best customers urged me to create them just the same and add artificial silk plants to them. Now, Let me say that right off the bat, I am not a fan of anything artificial. But…having said that, there is some really gorgeous silk greenery that might just work for wintertime. So, I decided to get going since the clay takes a long time to dry and I’m thinking I might have a Christmas show for them here at Woodloft (my home.)
I started with a really large planter that will be the Goddess of Winter Solstice. I will try to find artifacts to add to her when completed so that she is regal and fits the title. She is much larger than my other planters. Can’t wait to fire and compete her.
Painting using encaustic wax and oils placed on chair
My energy is flowing strong right now and I’ve also started several other very different kinds of art. For example. I am planning on writing a book on encaustic wax with oils soon and was experimenting with the piece below. I placed her onto a chair in my studio and another idea occurred to me. Why not make her into a chair back. So now I’m looking for interesting chairs in which to place more pieces like her (like I need more chairs around Woodloft!)

Close-up

Full view
Here is another example of a painting I created using Jane DesRosier’s method that I learned in her class. I named this one “I Remember Union.” She is slated to be placed in “One Block East” Gallery in downtown Roanoke, Virginia.

Close-up of I Remember Union. World images of faces and events surround her
I love it when the creative juices flow, don’t you? My energy level is very, very high, which could be attributed to the incredible dynamics that stemmed from the students of my first residential sculpture school. The combined personalities of the students generated such vigor and power that I do believe it still resonates in my studio! I’ve already started planning for the class in Sculpting the Figure in Clay, which will be held next July.
Happy creating to all in the beautiful autumn ahead.

Full view of I Remember Union
Labels:
encaustic wax,
events,
inspiration,
oil painting,
painting,
sculpture
Wednesday, August 17, 2011
FIRST RESIDENTIAL SCULPTURE CLASS
FIRST RESIDENTIAL SCULPTURE CLASS

Students begin difficult "Goddess" sculpture
Artist and blogger, Judy Wise, made the statement in one of her posts, “Falling in love with students, encouraging them and encouraging myself to take whatever path beckons…” I agree with her completely. If it is possible to fall in love with a class of students, it happened here at Woodloft. I said from the beginning that I just knew very special women would gather here for my first Residential sculpture class. Sure enough, I was blessed to have four fun loving, metaphysically minded and talented students.
Excitement was in the air as I was getting ready for these special women. I do mean excitement. What they didn’t know was that just 3 weeks before the class, my swimming pool decided to give up the ghost. It collapsed with age. That meant I had to find contractors to rebuild my pool and the decking surrounding it. I knew it could be done and I knew it would be done but there were some tense moments. There was just no way I was going to bring my guests here without my swimming pool up and running!

Joe Light delivers sunflowers
Joe Light, whom I jokingly call, Mr. Flower Power, delivered gorgeous sunflowers for the guests to enjoy. Joe can be seen selling his flowers on the Roanoke City Market every Saturday.

Truffles from Chocolate Paper
I purchased chocolate truffle candy from Chocolate Paper, also found on the City Market

Granola breakfast in mason jars and fancy labels
Blogger, Sheree, from Raven Moon Magic sent me lovely stickers that she created and I decided to add them to the granola jars I stored in my refrigerator for breakfasts. Somewhere I read about how fun it would be to place granola with fruit and yogurt, into these jars.
I also quilted face totes to hold each students supplies.

Quilted "face" totes
Finally, the time had arrived. The first student to arrive was Trish who is shown below enjoying appetizers and a margarita.

Trish is greeted by a margarita upon arrival
Each student was given a welcoming caftan to wear for our evening activities, which included drumming with Rudy Saunders. We were amazed at his ability to drum for hours.

Beth adorned in caftan

Laura,of Art From Trails End wears caftan and Goddess Ceremonial Necklace

Rudy shares drumming and stories
On another night, we watched Practical Magic and signed PritiLisa's “Book of Shadows” before beginning our drumming ceremony.

Lisa's "Book of Shadows" placed on top of African drum

Close-up reads "Harm None"
We chanted as we drummed to "Ancient Mother" by Robert Gass, which was recommended by Julie from When the Spirit Moves Me.
Glorious food was served throughout the week by our chef, Stratton St. Clair, including homemade pizzas and I created the desserts to accompany the meals.
Stratton and Diane, a member of our Little Supper Club, prepared homemade pizzas

Diane works on getting pizzas ready for party

Shrimp for alfredo

My Le Gateau Sans Rival dessert
Chicken with forty cloves of garlic being prepared
No one said sculpting is easy and the first two days of the class had the students hopping. I guess I should have mentioned in my brochure that I’m a bit hyper and I definitely crack the whip.

Laura works on bas-relief

Beth works on her "selke" doll

Leslie works on her Goddess sculpture

Trish beginning Goddess sculpture

Beth with sculpture

Laura prepares clay for sculpture
It was not all work though. Ella, my water aerobic’s instructor made an appearance and taught a water class one afternoon.

Ella gives class a real work out.
Quiche luncheon served
Also, Patrick Beale arrived to give massages two nights. Beth was fortunate enough to have a 2 hour massage-it was the luck of the draw.

Patrick and Beth
Food lectures and techniques were given by the chef each lunchtime, including teaching how to make the components of his wonderful lasagna.

Stratton prepares his homemade lasagne noodles

Stratton demonstrates how to make homemade vanilla
Here we are at Roanoke's famous "Star" overlooking the valley
We traveled along the Blue Ridge Parkway with a stop at our Roanoke Star for a view of the valley. Our destination was to have lunch at a quaint vineyard and restaurant called Chateau Morrisette.
It was a beautiful day and we opted to have lunch on the large stone patio with a view of the Blue Ridge Mountains. It was a bit windy but we didn’t expect the gust that came out of nowhere to lift our red table umbrella completely out of the center of the table. Somehow, when I saw the umbrella swoop up, up and up, I found myself reaching out for the umbrella with my left hand (it pays to be ambidextrous) I was pulled upward with the umbrella (my arm that is) to the point where I looked as though I might swoop over the table and out into the vast mountain range below! Somehow I stopped the umbrella. When the management heard of what happened, they offered all of us a bottle of wine, compliments of the restaurant. We laughed for a long time afterward about the possibility of me flying among the clouds, red umbrella overhead and songs of “Supercalifragilisticexpialidocious” were heard being sung from my car all the way home from the vineyard.

Famous red umbrella
We toured the controversial Taubman Museum and had lunch at the Hotel Roanoke. The Taubman is a fantastic piece of architecture that many in our area felt was too modern to be placed amid the old historic buildings downtown. I personally love it.
Museum picture with H and C coffee and mountain as a backdrop
We were all pretty tired by the time Lisa Plummer arrived at the studio to give a class in SoulCollage. She was rather glad we were relaxed because she said in choosing the pictures we were to gather for our collages, we would be more inclined to be working in our subconscious minds rather then methodically building a collage. As it turned out, we pieced together some incredible artwork, that when read, brought much insight to each of the group.

Lisa Plummer, SoulCollage teacher
The class worked diligently all week and produced an amazing array of finished sculptures including tall standing Goddesses, bas-reliefs and soul dolls.
Laura's finished Goddess
Beth's Celtic Bas-relief journal

Beth's Selke Goddess

Laura's perky bas-relief journal

Laura with all three finished sculptures

Trish and yours truly displaying her finished sculptures
Here Beth and I show off finished work
As you might have guessed, I will be giving the class again next summer with a few twists. I am thinking of having someone model for us as we sculpt. I may also be having a class in glass face mosaics. If you are interested in having me send you brochures on the upcoming classes for next summer, please e-mail me and I’ll send you information as soon as I put it all together with dates and activities. I will also be posting information on my Residential Classes found on the top right hand side of my blog.
I’m posting lots more pictures of the class below for those of you who are interested in seeing all the details.
Thanks for your patience in this very long post. Sorry I haven’t been around to visiting my favorite posts but as you can tell, I’ve been very, very busy. I am hoping to get around to see everyone this week and catch up!
Labels:
classes,
inspiration,
painting,
sculpture,
stoneware clay planters
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