Thursday, September 20, 2012
GODDESS CEREMONIAL NECKLACE "SHE WHO KNOWS HER OWN SACRED SOUND"
GODDESS CEREMONIAL NECKLACES
SHE WHO KNOWS HER OWN SACRED SOUND
"She Who Knows Her Own Sacred Sound"
Sold. Thank you Leigh Ann!
I love to give my Goddess Ceremonial Necklaces names of empowerment. Knowing your own sacred sound or song brings confidence to your life and a sense of fulfillment. I have collaged a dragonfly and jewels onto the front of “She Who Knows Her Own Sacred Sound.” I think any woman who wears this necklace will appreciate the symbolism involved. According to a dragonfly site online,“The dragonfly symbolizes change in perspective of self realization. The way in which the dragonfly scurries flight across water represents an act of going beyond what is on the surface and looking into the deeper implications of life.”
On Mannequin
Close-up Showing hand for Measurement
Close-up From Bottom
"She Who Knows Her Own Sacred Sound" has a necklace that hangs approximately 12” from the neck and can be adjusted by using an eye glass clip found at optical shops or jewelry stores. The base of the sculpted necklaces is approximately 3”x6”. The Goddess Necklaces can be worn in ceremonies paying homage to women or for that matter, they can be worn anywhere. They look fantastic dressed up or even with a pair of blue jeans. I used stoneware clay for her original hand sculpted face.
"She Who Knows Her Own Sacred Sound is available for sale for $125.00. If you are interested in purchasing her, please juste-mail me and we can go from there. I accept all credit cards via Paypal. I will ship to anywhere in the world.
Friday, September 7, 2012
UNRAVELING THE MYSTERY OF A LOST REC IPE
UNRAVELING THE MYSTERY OF A GREAT GRANDMOTHERS LOST RECIPE
"Lost" Ravioli
When I read the title of this recipe I got excited. Words like unraveling and mystery and Lost, always appeal to me. I couldn’t wait to explore the recipe and the story behind it. I am so grateful to my chef friend, Stratton St. Clair, who sends me all sorts of difficult recipes. He knows there is no recipe too complicated for me to attempt to make. As a matter of fact, I consider tackling complex recipes a challenge.
One challenge in particular that I remember well, took place in the Vittorio Venuto area of Italy, which is north of Venice. The class in which I was taking featured making tortellini. My teacher was a sweet woman who happened to be about 2 heads shorter than I am and spoke no English. She had to stand on a chair and pantomime the instructions and I had to take pictures of each detail so I’d remember when I got home. That night, I made tortellini for her family of 16 members. What an adrenalin rush. None of them spoke English! If you would like to read about this life changing night, please go to my post of “The Night I Made Dinner for Sixteen Italians in Italy and I don’t speak Italian.”
I love good stories associated with food. I was pleased to find that not only is there a story involved with the recipe but there is actually an interview with food editor Julia Della Croce,who interpreted and adapted the original recipe. It describes the process of finding the recipe of the ravioli that a woman’s great grandmother used to make in Tuscany. I love the idea that the recipe came from Italy.
I wasn’t too surprised that the recipe is lengthy. The challenge was on.
Here is my version of "Lost Ravioli with Rice, Spinach and Sausage Filling. I only changed it slightly by creating a different sauce and changing the amount in a few of the ingredients. I can't even begin to tell you how good these ravioli are-they melt in your mouth!!!
Rice Being Cooked in Milk
Shredding Cheese Into Cooled Rice Mixture
Sauteed Onions and Garlic
Chopped Spinach
Spinach Being Wilted
Eggs and Flour Mixed Together
Kneaded Dough
Sausage and Cheese Mixture Blended Together
Dough Being Rolled
Filling In Place
Pressed Pasta
Filled Pasta-Resting
Ravioli Sauteed With A Butter and Sage Sauce
My Sister-In -Law Gives Just the Response I Was Hoping For
"Lost" Ravioli with Rice and Sausage Filling Adapted from the original recipe by Julia Croce
For the filling:
1/3 cup arborio, carnaroli, or vialone nano rice-I used Carnaroli
1 cup whole or 2% milk-I used whole milk
fine sea salt
12 ounces fresh baby spinach, stemmed-I used 6 oz. but 12 oz would be ok too.
extra-virgin olive oil
1 small onion, minced
1 egg yolk
12 ounces smoked luganega, or substitute fresh Italian sweet pork sausage meat-I used Italian sweet sausage
1 clove garlic, minced-I used 3
1/4 teaspoon freshly grated nutmeg-I used 1/2 t.
4 ounces freshly grated semi-aged (semi-soft) Tuscan sheep cheese (cacio or caciotta) or
substitute one of the other cheeses mentioned in the headnote-I used Landana Sheeps Milk Gouda
freshly ground black pepper to taste
1/3 cup arborio, carnaroli, or vialone nano rice-I used Carnaroli
1 cup whole or 2% milk-I used whole milk
fine sea salt
12 ounces fresh baby spinach, stemmed-I used 6 oz. but 12 oz would be ok too.
extra-virgin olive oil
1 small onion, minced
1 egg yolk
12 ounces smoked luganega, or substitute fresh Italian sweet pork sausage meat-I used Italian sweet sausage
1 clove garlic, minced-I used 3
1/4 teaspoon freshly grated nutmeg-I used 1/2 t.
4 ounces freshly grated semi-aged (semi-soft) Tuscan sheep cheese (cacio or caciotta) or
substitute one of the other cheeses mentioned in the headnote-I used Landana Sheeps Milk Gouda
freshly ground black pepper to taste
For the ravioli dough:
(makes about 1 pound)
2 ½ cups unbleached all-purpose white flour, plus additional
4 “large” eggs at room temperature
1/4 teaspoon fine sea salt
2 teaspoons olive or vegetable oil-I used olive oil
(makes about 1 pound)
2 ½ cups unbleached all-purpose white flour, plus additional
4 “large” eggs at room temperature
1/4 teaspoon fine sea salt
2 teaspoons olive or vegetable oil-I used olive oil
To make the filling:
Bring the milk to a boil. Stir in the rice and 1/4 teaspoon salt. Cover tightly and simmer over low to medium-low heat without stirring. When the milk is entirely absorbed,about 15 minutes, take the pan off the heat and allow the rice to cool, lid on.
To cook the spinach, steam or boil it until it wilts. Alternatively, in a wide skillet, saute it in 2 teaspoons of olive oil until it collapses, about 2 minutes. Drain it well and use your hands to squeeze out excess water. Chop and set it aside.
Wipe out the skillet and put in 2 tablespoons of olive oil. Warm the oil over medium heat until it begins to shimmer being careful not to let it overheat. Add the onion and garlic and saute it over very low heat until it is thoroughly softened but not colored,about 12 minutes. If using pre-cooked, smoked luganega-style sausage, mince it finely by hand or a food processor and set it aside. If using fresh sausage, remove it from its casings and add it to the skillet. Saute gently until it is cooked through. Add the cooked spinach to the pan and toss. Take the skillet off the heat and allow it to cool, lid on.
To assemble the filling, to the cooled rice add the egg yolk, nutmeg, grated sheep cheese,and pepper, using a wooden spoon to blend well. Now mix in the sausage mixture.
Taste and adjust for seasoning. Chill the filling aside while you make the pasta.
Taste and adjust for seasoning. Chill the filling aside while you make the pasta.
To make the ravioli dough:
Assemble all the ingredients on an ample work surface. Keep at hand several clean dishtowels, a sharp knife, a fluted pastry wheel, and a few sheet pans lined with clean cloth kitchen towels.
Mound the flour and salt directly onto your work surface. Make a "well" in the center.
In a shallow bowl, lightly beat the eggs and oil and pour the mixture into the well.
Using a fork, gradually draw in the flour from the inside of the well, always working the fork in the same direction to prevent air pockets from forming. Use your free hand to protect the outside wall until the wet mixture is integrated. When the mixture becomes too stiff to work with using the fork, scrape the dough from the fork into the well and continue forming the dough with your hands. Continue forming the dough into a very soft ball. It should be firm enough to handle, but soft and very pliable. If there is too much flour to be absorbed, do not use it all. The dough should be soft but not wet or sticky in the least. If the dough is too soft, add flour a little at a time until you get the right consistency. Set the dough aside.
In a shallow bowl, lightly beat the eggs and oil and pour the mixture into the well.
Using a fork, gradually draw in the flour from the inside of the well, always working the fork in the same direction to prevent air pockets from forming. Use your free hand to protect the outside wall until the wet mixture is integrated. When the mixture becomes too stiff to work with using the fork, scrape the dough from the fork into the well and continue forming the dough with your hands. Continue forming the dough into a very soft ball. It should be firm enough to handle, but soft and very pliable. If there is too much flour to be absorbed, do not use it all. The dough should be soft but not wet or sticky in the least. If the dough is too soft, add flour a little at a time until you get the right consistency. Set the dough aside.
Lightly flour the surface and using the heel of your hand, knead the dough from the middle of the ball outwards, as you would do for bread dough. Do this for about 5 minutes, or until it is smooth, even, and elastic, maintaining its round shape. Well-kneaded dough makes rolling and cutting easy, and produces pasta that is tender but firm. Divide the dough into four equal parts and cover it with an inverted bowl and let it to rest for 15 minutes or up to 3 hours.
Rolling and cutting using the pasta machine:
Set up your pasta machine so that everything on your work surface is within easy reach. Be sure the machine is free of dried dough bits.
Working with one section of the dough at a time, lightly flour your work surface. With a standard rolling pin, flatten the piece you are working with. Dust it lightly with flour. Set the rollers of the machine at the widest possible setting. Feed the dough through the roller without pulling it or stretching it. Drape it over your hand with your thumb up in the air to avoid puncturing it. Take the dough strip and fold it in thirds as you would a letter. (This will keep the piece of dough in a uniform rectangular shape, which is important as you roll it out thinner and longer through the machine.) Press it flat with your hands and fingertips to get all the air out and lightly flour one side only (the other side remains un-floured so that it will adhere to itself when you fold it in thirds again). Pass the dough strip through the rollers at the widest setting for a total of three times, folding it in three each time. Then set the rollers one notch past the previous one. Pass the dough through again, collecting it at the other end. Repeat the process of folding it in thirds and pressing out the air, flouring it lightly on one side, then putting it through a higher notch each time. Continue doing this at each setting, finishing this rolling-out process with the setting at the next to the last numeral on the knob.
Working with one section of the dough at a time, lightly flour your work surface. With a standard rolling pin, flatten the piece you are working with. Dust it lightly with flour. Set the rollers of the machine at the widest possible setting. Feed the dough through the roller without pulling it or stretching it. Drape it over your hand with your thumb up in the air to avoid puncturing it. Take the dough strip and fold it in thirds as you would a letter. (This will keep the piece of dough in a uniform rectangular shape, which is important as you roll it out thinner and longer through the machine.) Press it flat with your hands and fingertips to get all the air out and lightly flour one side only (the other side remains un-floured so that it will adhere to itself when you fold it in thirds again). Pass the dough strip through the rollers at the widest setting for a total of three times, folding it in three each time. Then set the rollers one notch past the previous one. Pass the dough through again, collecting it at the other end. Repeat the process of folding it in thirds and pressing out the air, flouring it lightly on one side, then putting it through a higher notch each time. Continue doing this at each setting, finishing this rolling-out process with the setting at the next to the last numeral on the knob.
Roll out only one strip of dough at a time for the ravioli, as the dough must be porous in order to seal properly. While you roll out each strip and form the ravioli, keep the remaining dough sections under the inverted bowl to prevent them from drying out. Work quickly in order to prevent the dough strip from drying out.
Fresh-filled pasta should not rest longer than fifteen minutes or so at room temperature after they have been filled, or an hour or two (depending on the moistness of the filling) in the refrigerator. The ravioli can stick to the surface, breaking when you try to lift them if they are left out too long. It is best to refrigerate them if you plan to cook them promptly after making them If not, freeze them, leaving adequate space between them to prevent them from sticking together. Layer them only if you are going to freeze them, putting waxed paper between each layer. If you plan to cook them right after making them, do not stack them--keep them separate on numerous trays and do not let them touch.
Cutting and filling the dough strips for ravioli:
Cut one strip of dough in half cross-wise and lay in out on an ample work surface. Cover with other half with clean kitchen towels. Working quickly, place a mounded teaspoon of filling at 3-inch intervals in rows along the pasta strip.
Dip a pastry brush into beaten egg, or yolk; paint the area around the filling and just to the edges of the dough strip to completely surround each mound and ensure a secure seal.
Dip a pastry brush into beaten egg, or yolk; paint the area around the filling and just to the edges of the dough strip to completely surround each mound and ensure a secure seal.
Place the second sheet of dough over the filled sheet, matching up the edges and corners. Use your fingers to press out any air pockets and press down firmly around each filling mound to seal well.
Use a fluted pastry wheel or 10-inch chef’s knife to cut 4-inch square ravioli. Press down around each filling mound once again to secure the envelope seal. Repeat with the remaining dough and filling.
Use a fluted pastry wheel or 10-inch chef’s knife to cut 4-inch square ravioli. Press down around each filling mound once again to secure the envelope seal. Repeat with the remaining dough and filling.
Cooking the ravioli:
Drop the ravioli a few at a time into plenty of gently boiling salted water. Stir and immediately cover. When the water comes to a second boil, remove the lid. Cook for 3-4 more minutes from the moment the water has returned to a boil. Cook gently--if the boil is too vigorous, the pasta envelopes can break. Using a “spider” or wide mesh spoon, lifting them out as soon as they are cooked, allowing excess cooking water to drip off. Transfer the ravioli to a pan of butter and sage leaves and saute for a few minutes. Total cooking time should not exceed 3-5 m
I did not make the red sauce called for in the recipe but used the butter sage sauce instead. Simply place butter and sage leaves in a pan and gently saute the pasta after it is removed from the boiling water.
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An evolving collection of eclectic musings on food, people, purpose, and a life in art
About Cheryl
My studio is located in the beautiful mountain town of Roanoke, Virginia. It is there that I sculpt, write and participate in the arts. I have studied my craft in Italy, Greece and France. My four books and other artwork can be viewed and purchased on my etsy shop. Thank you for visiting my blog. If you have any questions or comments, you may e-mail me at cherdolby@cox.net.
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New address!! - Just a quick note to let you know the blog has migrated to: *http://art.patricia-ariel.com/blog/* ... now as part of my official website. Hope to see you t...10 years ago
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No more... - I don't see myself coming back here. I don't want to blog any longer. I have better things to do with my life.10 years ago
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C'est une ville ?? - Ce qui est magique avec la gelli plate , c'est qu'on ne sait jamais ce que ça va donner... C'est ce qui s'est passé ici ... Ça ressemble à une ville pour...11 years ago
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Pages For Australia - Two done and there is a third that is intended for Treasures of the Gypsy's Pamela Armas. She has sent me a treasure trove of goodies from her store in Mou...11 years ago
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Arts in the Gardens at Sonnenberg in Canandaigua, NY - Come see me at my next outing--the beautiful "Arts in the Garden" art show at Sonnenberg Gardens in Canandaigua, NY on August 17 and 18! I will have new wo...11 years ago
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To blog or not to blog - I would be lying if I said I intended to log more often...when the truth of the matter is that more often than not I really can not be bothered. I tend to ...11 years ago
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Two new Sashas: Elise and Samantha - Two new customized Sashas, Elise and Samantha, are now on Ebay in my Etsy shop. (Click on their names to go to their listings and see more images.) Elise ...12 years ago
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Where Women Create - Winter 2012 - Dear Soul Shines, It has been a while since I've blogged even though I have had so many inspirational things to share. For the first time in my life ...12 years ago
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Homework Helpers: Basic scientific discipline And Pre-Algebra - Description du produit. school assignment Helpers: Basic scientific discipline and Pre-Algebra could be a easy and easy-to-read review of arithmetic skills...12 years ago
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Cabin Spaghetti with Chanterelles and Hummingbirds - A tiny ball of energy launches from a nearby tree and comes speeding up to my window. Its blurred form resolves as a hovering little bird with a shimm...12 years ago
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Reno Retreat, April 2012 - This year's Reno Retreat with the incomparable teaching team of Jean Bernard and Sherry Goshon featured what was (for me at least) their most challenging ...12 years ago
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tip: free eBook "How to Make an Image Transfer" - "How to Make an Image Transfer to Fabric, Paper, and Other Photo Transfer Techniques" is a free eBook from Cloth.Paper.Scissors with the following topics...12 years ago
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Red White & Blue *Artful* savings!!! - Wow this is great! Timing is everything right? If you have been wanting to attend the new fabulous Art Is You West Coast retreat in Petaluma, here is some...13 years ago
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2011 Reminder - Happy New Year to 2011 and to you! I just wanted to remind you that I moved my blog over to my website to have everything together in one place. Check it ou...13 years ago
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Attention Followers!!!! - I just want to make sure I get my message across to all my followers so I am re-posting this Attention Followers!!!! Hello my friends, it turns out that a...14 years ago
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Seafoam and Popped Corn on the Walls? - What in the world does seafoam have to do with popped corn and what on earth is it doing on the walls? I'll give you a hint, it looks something like this. ...14 years ago
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Peach Festival, Chairs, Woodloft, and ER - Wow a lot can happen in a few days around here! We had a very pleasant weekend. Saturday we went to downtown Roanoke and enjoyed peach shakes at the Peac...14 years ago
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The scoop - Sadly, I’m coming to the end of my fabulous year of vicariously fashionable living. This blog has been lots of fun but the title on the cover of the July 4...14 years ago
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Simply Cooking - Lately, I've been thinking a lot about craft. Cooking the simple meal. Writing the sharp, deliberate sentence. Craft is the way we work, a way of doing thi...16 years ago
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