Monday, March 11, 2013

FRESCO VS FRESGO

FRESCO

vs

FRESGO

Front of Fresgo Box

The master painters of the Renaissance took the art of the fresco to a level of perfection that may never be surpassed. During that era, large walls in cathedrals and other buildings served as the canvases for frescoes – and they still do. Michelangelo' s painting on the ceiling of Rome’s Sistine chapel is perhaps the best known example of this type of work. A fresco is actually a painting that has not been painted on a wall, but into it. The painting is finished while the plaster is still wet, a technique that is called “l'ora del santo” or “the hour of the saint.” Therefore the painting and the wall become one. Because a fresco is part of the wall on which it is painted, it is subject to all the environmental factors that cause walls to deteriorate with the passage of time. This is one of the features of frescoes that make them so unique and special. The cracks, crevices and other signs of wear that occur within the fresco reflect the hardships the environment has imposed on the work – much as our own exteriors provide a living testament to the hardships and struggles of our lives. I am proud of each wrinkle on my face. They are the result of what I have given and endured throughout my life: I have earned them.

Notice the Heavy Texture and Metal Watch Part

As you may have guessed by now, I have created frescoes of my own during my life in art. For some, I have used the technique of masters like Botticelli, Giotto and Masaccio – “buon fresco.” In buon fresco (good or true fresco), the paints are mixed with lime water, and the plaster is painted while it is still wet. I find this difficult to do well since I am forced to work a lot faster than I would otherwise. To overcome this problem, I have sometimes created my work using “secco fresco.” This is a modification of the fresco technique in which dried plaster is dampened to simulate fresh, wet plaster before it is painted. Although creating frescoes a secco is easier than the classic technique, it is also a bit less durable. Since most of us do not live in one place long enough to own a fresco and watch it age, it occurred to me several years ago that it might be nice to make frescoes portable. I decided to create frescoes that could be transported to any new surrounding. Using the secco fresco technique, I began creating smaller frescoes I call “fresgos” – my term for “frescoes to go.”

View of Entire Box

I have created a fresgo box that is 8” w x 8 “ and 4” high. I have priced her at $145.00 and named her “Timekeeper.”I finished the inside with a simple upholstery material. I just placed her on Etsy where you can view a bit better and purchase if you like her or contact me directly at my e-mail.

Inside of Box

I studied 'buon fresco' in Serravalle Italy at Palazzo Galletti with the renowned Alma Ortalon. If any of you are interested in taking a class from her just click here for a link to her website. I am sure you will love Alma and the experience.

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7 comments:

  1. Loving your beautiful painted box. Hugs Annette x
    http://nettysartadventures.blogspot.co.uk/

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  2. It's a beautiful box. Very nice work. Thank you for sharing.

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  3. You've created a whole new art form! What a wonderful idea, and the box is proof of the beauty that's possible with it.

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  4. WOW! This is stunning - truly beautiful art of yours! xxoo

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  5. QUITE, QUIET beauty! and so glad you got the vaccine. xo

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  6. Hi Cheryl! Thank for this informative post. Wow! I am overwhelmed with all the information and I'm amazed by how delicate and intricate this masterpiece was made.

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